I am about to start editing the script for the movie I have been designing to show the way people act around cameras. Here is the script:
Script for movie:
Starts with making of the camera bag and sign etc- close up,
not sure what’s happening. Cycle down to place and hang it up. Blows in the
wind.
VO: In the society we
live in, there is an obsession around images. This obsession is related to the
capturing of images, and the capturing of images of ourselves. Where ever you
go, you are always surrounded by cameras, by people taking photos, by people
posing, by people capturing images.
At this point there are shots of tourists posing and smiling
at the camera, and shots of people taking photos of each other.
What interests me is
how people behave around cameras. The second when they begin to pose. Barthes
explains it as: "When I feel myself
observed by a lens, everything changes; I constitute myself in the process of
posing. I instantaneously make another body for myself. I transform myself in
advance into an image."
Shots of people posing.
I am planning to hang
50 disposable cameras up around several cities in England , with a sign asking people
to take photos of themselves. In the act of taking a photo of themselves, and
the photo people take, I can see how people act when asked to photograph
themselves and their behaviour relating to cameras.
Here are a few
examples of people taking a photo of themselves with the cameras I provided
.
The thought process
seems to be:
What is that?
Why this there a
camera hanging up?
Who is this for?
What do they want me
to take a photo of?
What SHALL I take a
photo of?
If I take a photo of
myself, how does the photographer expect me to pose?
How do I normally pose
in photographs?
What does this
situation (in public) mean for how I pose in this photograph?
What have others done?
Is anyone watching?
(photographer included)
I am being asked to
take a photo, does it matter that I don't know for?
Is this creepy?
I am being asked to
take a photo; does this mean I have to be arty?
I want to be in the
photo, what is the best way to do this?
Ask someone or selfie?
How do I want myself
to be represented? Selfie is too down with kids but I am bit embarrassed to ask
someone else…
How does the
photographer expect me to be represented?
Do i have everything I
want in the frame?
Is the film Ok?
This part has a double of filming picking up camera and
looking through lens and other people interacting with the camera, and then
leaving.
This thought process
which I imagine happens when people take the photos shows a huge awareness and
inter-textuality of how to construct a photo and how to represent oneself in a
photo. Here is how a few of the photos turned out…
Show photos from before and also videosàbecome
photos from Oxford
But what do these
photos mean further than that we all know how to use cameras nowadays?
Well, if I run a
couple of the photos together, you can see a few similarities in the way the
people in the photos decided to set the picture up, and how to behave in the
picture. All these people are posing, and they are consciously setting up a
public image of themselves to show to the photo project. Look at this one, for
example, they all lean close together and smile, arms around each other- they
are close and happy, constructing a representation for the public which shows
them as positive and rounded. People pose in the photos similarly, also,
suggesting that the way they pose is pre-determined by other texts they have
come into contact with. Culture has told them how to pose, and they adhere to
this idea.
Here is an example of
how people approach the cameras:
Film of someone approaching camera and taking photo- quick.
There is little
thought in the way people approach the camera. People want to interact; they
want to be part of the project without even knowing what it is, or where the
photos are going. This seems to link to various anxieties around photographs
and people.
This firstly shows a
need to interact in a reality, an anxiety about being able to construct the
reality yourself. With all the photos people take of each other, all of the
surveillance cameras and constant documentation, people are not in control of
their own image anymore. People are anxious to control their image. When they
pick up the camera I have left, they do not just want to interact with the
project, they also want to be able to control their image and give out an image
of themselves which is constructed and perfect.
This might seem to
show that people are anxious about what the rest of the world thinks when
seeing the photo? I feel that because people don’t know where the images are
going, this isn’t the fear. People aren’t scared that, as Sontang suggests,
their image will give someone else possession of them, no… The anxiety seems to
be that if they aren’t photographed, they won’t be able to prove it happened. Again,
because of all the images which are being taken all the time, and they way that
now we can take hundreds of photos, photography has become more than a photo;
photography is a way of experiencing and remembering the past. This film shows
people taking hundreds of photos; if they do not, can they prove it happened?
In taking a photo with
the camera I provide, people are able to tell everyone they existed there, in
that moment, that they took part.
And feelings after
that towards the final image? Well, it’s disposable.
Camera being collected. Me collecting photos from boots.
Film family looking at photos/me looking at photos with someone else. Talking
about how weird and personal and voyeuristic it feels.
End.
I also did a few more cameras hanging up, here is a photo:
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